Check out The Magic Flute by Various artists on Amazon Music. Stream ad-free or purchase CD's and MP3s now on cvitka.com Die Zauberflöte ist eine Oper in zwei Aufzügen von Wolfgang Amadeus Mozart, die im Freihaustheater in Wien uraufgeführt wurde. Das Libretto stammt von Emanuel Schikaneder. Das etwa dreistündige Werk zählt zu den weltweit bekanntesten und am. A Magic Flute to remember, filmed at the Salzburg Festival! The production's exceptional cast stars René Pape and Diana Damrau. The premi.
Subscribe to medici.tvHis new perspective on the work brings to life a Magic Flute that is both refined and elegant: a sober jewel in which appearances often prove misleading. Check out The Magic Flute by Various artists on Amazon Music. Stream ad-free or purchase CD's and MP3s now on cvitka.com Die Zauberflöte ist eine Oper in zwei Aufzügen von Wolfgang Amadeus Mozart, die im Freihaustheater in Wien uraufgeführt wurde. Das Libretto stammt von Emanuel Schikaneder. Das etwa dreistündige Werk zählt zu den weltweit bekanntesten und am.
The Magic Flute Navigation menu VideoThe Magic Flute: Overture - Wolfgang Amadeus Mozart At La Flauta Mágica (The Magic Flute) we provide a warm, open and educationally stimulating atmosphere in which you can trust your child will be cared for and supported. offering a positive, nurturing experience for children in a home-like setting; ensuring that basic health and safety standards are met;.
Heutzutage gilt in Loewen Gruppe allen Spielbanken Deutschlands ein The Magic Flute striktes Rauchverbot! - InformationBut Atfx wanted children, three boys, who, in keeping with their enigmatic origin, become transformed Billardtisch Berlin the course of the play, sometimes appearing as little Mozarts, sometimes as children from well-heeled homes, sometimes as little scamps.
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Contact Us. At La Flauta Magica we believe in:. Sarastro sentences Monostatos to receive 77 strokes of the bastinado. Tamino and Papageno are taken into the Temple of Trial to be purified, and the First Act ends with a chorus:.
When virtue and justice have strewn the path of the great with glory, Then will the earth be the kingdom of heaven And mortals will be like gods!
The second act begins with another march as the College of Priests process into a courtyard inside the Temple of the Sun. There is a grove of palm trees — symbols of victory — with golden leaves.
There is reason to assume that the palm trees stand in for akacias, which have a deep symbolic significance within Freemasonry. There are also eighteen seats or sieges; on each siege stands a pyramid and a large black horn, set in gold.
The pyramids puzzled me a great deal, until someone remarked that the 18 four-sided pyramids make a total of 72 sides, which is the number of the Schemhamforasch, the Great Name of God, which is inextricably linked to the Rosicrucian Mysteries.
Each priest is holding a palm read, akacia twig in his hand. Sarastro opens the meeting, saying,.
Tamino, who is waiting at the Northern Gate of the Temple, is yearning to be free of the veil of the night, he wants to behold the sanctuary of Light.
We also learn that Pamina is destined for Tamino, and that this is the real reason for her abduction from the Queen of the Night, who is described as being full of deceit, seeking to mislead the people with illusion and superstition — glamour or maya — typical properties of an unbalanced Yesod.
Also note that the Moon Temple is served only by women, and the Sun Temple only by men. Thus, what we have got here is actually a polarity between the Moon and the Sun, between the subconscious and the conscious — and the Age of Enlightenment was very much in favour of the conscious mind as a guiding principle.
Therefore, Reason, as symbolised by the Sun, was perceived as the only alternative. Thus she is, in fact, the daughter of the Moon and the Sun: pure alchemy.
And by the way, during the priestly deliberations we hear, three times, the initiation trombones sound their three-chord fanfare.
Meanwhile, Tamino and Papageno are brought into a dark chamber by two priests. Papageno is afraid. He is willing to undergo any ordeal, no matter how painful, in order to win Pamina.
On being promised a young pretty Papagena who matches him in everything, he is prepared to at least attempt the ordeal of silence.
They are told that they will be left alone, and that they, no matter what happens, may not speak. If they do, all is lost. The first test is to be able to resist the guiles of women: this is the beginning of wisdom.
To modern ears this sounds decidedly sexist, so let me rephrase it slightly. The beginning of wisdom is to be able to liberate yourself from being dominated by the forces of the subjective and subconsious mind as represented by the Moon.
It also has to do with controlling your sexuality; the Initiate is not ruled by his passions. There is nothing wrong with having passions, not at all, but to advance on the Path, your passions must not control you, you must rule over them; you must not suppress them, but rule them wisely.
Note, also, that Tamino and Papageno are not being told to give up women: it is a simply a test, and as such is limited in time. Neither are women decried anywhere in the text, nor is the female principle.
We are simply talking about aspects of the soul. It has nothing to do with physical gender. This is extremely important in all occultism. Suddenly, the Tree Ladies appear, seemingly out of nowhere.
They try everything in order to make Tamino and Papageno speak to them. Papageno, who has no self-control, can barely keep himself from talking; Tamino constantly has to tell him to shut up.
Away with the women to Hell! The Ladies vanish, but the Queen of Night is still at large in the Temple…. She is furious because Tamino has chosen to become an Initiate of the Sun.
Otherwise she will forever be disowned. So, the forces of Night are indeed threatening to overtake the Realms of the Sun.
So, an uprush of subconscious force, working through the anima of the candidate, is threatening to flood the conscious mind, thereby cutting off all contact with the superconscious levels of Tifaret.
It is in fact a classic reaction from the subconscious: it does not want to change, it wants to stay the way it is, and it will go to great lengths to prevent any change in consciousness.
This applies to quite mundane things, like giving up smoking, and it also applies to Initiation. Here, though, we see it in a very dramatic and extreme form: by acquiring the Disc of the Sun, the subconscious would overthrow the superconscious and rule supreme — a very serious mental condition, if not a total dissolution of the entire psyche.
But of course, the Higher Self cannot be killed. The two priests lead them into a vast hall. Papageno chatters and complains that he is hungry.
They also bring a table full of food — Papageno immediately proceeds to stuff himself. Tamino plays his flute, and Pamina is attracted by its sounds.
Tamino turns away, since he has been forbidden to speak. They show Tamino a portrait of Pamina; he falls in love at first sight. The Queen arrives.
She tells Tamino that Pamina is her daughter, who has been captured by the evil Sarastro. The Three Ladies give Tamino a magic flute and Papageno a set of magic bells to protect them on their journey.
Scene 2. Monostatos and Papageno are terrified by each other and flee. But Papageno returns and reassures Pamina that her mother has sent Tamino to help her.
They leave together. Scene 3. Tamino is at first rebuffed as he seeks to enter the temples of Reason and Nature, but the speaker of the temple of Wisdom reveals to him that Sarastro is good, not evil.
Having learned that Pamina is alive, Tamino plays his magic flute to summon Pamina and Papageno; its sounds tame the animals. Papageno answers with his pipes, and Tamino rushes off to find them.
Scene 4. Papageno and Pamina are making their way toward Tamino when they are captured by Monostatos and his fellow slaves. Papageno uses his magic bells to enchant his enemies, making them dance away.
Sarastro and his entourage approach. Pamina reassures Papageno and tells him that they must tell Sarastro the truth. Monostatos now enters with Tamino as his prisoner.
Monostatos seeks a reward, but instead Sarastro punishes him for lusting after Pamina. Sarastro leads Tamino and Papageno to the temple.
Sarastro meets with his council. They decide that Tamino and Pamina should marry and that Tamino should succeed Sarastro as their leader, provided he passes the trials set out by the ancient rite.
Sarastro prays to Isis and Osiris , asking them to protect Tamino and Pamina. Together Tamino and Papageno set forth Quintet: "Hm!
Pamina is dragged in by Sarastro's slaves, apparently having tried to escape. Monostatos, a blackamoor and chief of the slaves, orders the slaves to chain her and leave him alone with her.
Monostatos and Papageno are each terrified by the other's strange appearance and both flee. Papageno returns and announces to Pamina that her mother has sent Tamino to save her.
Pamina rejoices to hear that Tamino is in love with her. She offers sympathy and hope to Papageno, who longs for a wife.
Together they reflect on the joys and sacred duties of marital love duet: " Bei Männern welche Liebe fühlen ".
The three child-spirits lead Tamino to Sarastro's temple, promising that if he remains patient, wise and steadfast, he will succeed in rescuing Pamina Quartet: " Zum Ziele führt dich diese Bahn ".
Tamino approaches the left-hand entrance and is denied access by voices from within. The same happens when he goes to the entrance on the right.
But from the entrance in the middle, an old priest appears and lets Tamino in. The old priest is referred to as "The Speaker" in the libretto, but his role is a singing role.
He tells Tamino that Sarastro is benevolent, not evil, and that he should not trust the Queen of the Night.
He promises that Tamino's confusion will be lifted when Tamino approaches the temple in a spirit of friendship.
Tamino plays his magic flute. Animals appear and dance, enraptured, to his music. Tamino hears Papageno's pipes sounding offstage, and hurries off to find him aria: " Wie stark ist nicht dein Zauberton ".
They are recaptured by Monostatos and his slaves. Papageno plays his magic bells, and Monostatos and his slaves begin to dance, and exit the stage, still dancing, mesmerised by the beauty of the music chorus: " Das klinget so herrlich ".
Papageno and Pamina hear the sound of Sarastro's retinue approaching. Papageno is frightened and asks Pamina what they should say. She answers that they must tell the truth.
Sarastro enters, with a crowd of followers. Pamina falls at Sarastro's feet and confesses that she tried to escape because Monostatos had forced his attentions on her.
Sarastro receives her kindly and assures her that he wishes only for her happiness. But he refuses to return her to her mother, whom he describes as a proud, headstrong woman, and a bad influence on those around her.
Pamina, he says, must be guided by a man. Monostatos brings in Tamino. The two lovers see one another for the first time and embrace, causing indignation among Sarastro's followers.
Monostatos tells Sarastro that he caught Papageno and Pamina trying to escape, and demands a reward. Sarastro, however, punishes Monostatos for his lustful behaviour toward Pamina, and sends him away.
He announces that Tamino must undergo trials of wisdom in order to become worthy as Pamina's husband.
The priests declare that virtue and righteousness will sanctify life and make mortals like gods " Wenn Tugend und Gerechtigkeit ".
The council of priests of Isis and Osiris , headed by Sarastro, enters to the sound of a solemn march. Sarastro tells the priests that Tamino is ready to undergo the ordeals that will lead to enlightenment.
Tamino and Papageno are led in by two priests for the first trial. The two priests advise Tamino and Papageno of the dangers ahead of them, warn them of women's wiles and swear them to silence Duet: " Bewahret euch von Weibertücken ".
The three ladies appear and try to frighten Tamino and Papageno into speaking. Quintet: " Wie, wie, wie " Papageno cannot resist answering the ladies, but Tamino remains aloof, angrily instructing Papageno not to listen to the ladies' threats and to keep quiet.
Seeing that Tamino will not speak to them, the ladies withdraw in confusion. Pamina is asleep. Monostatos approaches and gazes upon her with rapture.